Research

"Guide to modern Ukrainian sculpture: 13 artists about their works and what inspires them"

life.pravda

12.12.2020

Today, three-dimensional art is undergoing a transformation.

With the emergence of new technologies, with a change in the understanding of the  universe, with the way paradigms in society are turning, artistic images and

methods of artistic expression are also changing. Ukraine is currently experiencing a powerful

surge in the development of fine art. more:

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Public space as a display. A-Station: walk&art

IRYNA ISACHENKO / URBANISM / OCTOBER 08, 2021

"Public art objects are a tool that unlocks the potential of a place, shows what this place and the city in general can be like, how differently this territory can play. This is a very important aspect, and for me, as a curator, it has been the main topic of research for several years now. more:

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“Slėptuvių tradicijos”

artnews.lt

09.05.2022

We know very well from history that art often had to be hidden. During the Soviet era, many artists were forced to go underground and be away from what was shown in official cultural programs. The art underground in totalitarian states means a life free from ideological constraints and resistance to official culture. more:

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Public Art as a city code

ARTKURSYV # 6 ’2021

The modern city often positions itself through art, and its history and challenges are more easily explored through the artistic thought embodied in a public art object.

A metropolis without a systematic program of implanting art in public spaces risks losing many opportunities for tourism infrastructure development.

This is understood by large companies and public organizations, which emphasize the social responsi bility of their activities and recognize the powerful influence of art as a display of their values. more:

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“Про персональну відповідальність, наслідки карантину і формування культурних потреб”

Culture 360

In art, even despite the pandemic, those who really love it will remain more:

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“MIXING ART AND TECH”

Tech Avangard

22nd July 2020

People need art to be able to live, to eat, to breath, to be ‘normal’. Art is everywhere, even if people don’t see it or don’t think that art is near them. In addition, it is a global ability for art to resist any problems, any crisis, because artists – the real artists – do their jobs, because they cannot not do it. And if artists exist, and the art world exists, it always be an aggregator around it – online or offline. more:

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КАТЕРИНА РАЙ: "МИ ПЕРЕХОДИМО У НОВИЙ СВІТ — ВИГАДАНИЙ"

Support your art

I'm not looking at new technologies, but at new tools that can give the artist more means to express ideas. more:

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PANGRAM: ЯК НОВА ОНЛАЙН-ПЛАТФОРМА РЯТУВАТИМЕ МИСТЕЦТВО ВІД ЦИФРОВИХ ТРАВМ

Support your art

22 September 2020

How does visual art survive in times of isolation and crisis? What can be done to prevent the market from shrinking and artists from losing the opportunity to communicate, particularly at the international level? The new Pangram platform decided to take control of these problems more:

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В Киеве открылся парк современной скульптуры Volume Park. Почему это важно

Officiel-online

12.07.2017

We want to talk about what worries each of us today in the development of the country, the city, each individual in it. We propose to integrate into the context of public space the works of artists that deal with the theme of memory, memorialization, archaism, the distribution of territories and, of course, a person who exists today in conditions of constant interference of definitions and values. more:

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‍Эксперты Украинского культурного фонда — о своих предпочтениях в искусстве

Bird and flight

14.06.2018

We often call artists Ukrainians, but do nothing to make them our own.  In order to claim its rights to a master, the state must act systematically: to form a collection of his works, buying works around the world, to study his legacy. more

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Від Тель-Авіва до Канева. Скульптурні канікули

Art Ukraine

06.08.2018

The form reveals the meaning - I believe in this and that's why everywhere I go I pay attention to urban sculpture, observe the life of objects that exist in cities, complementing their uniqueness with my presence. more:

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“Хто виключив сонце. Про виставку Олексія Сая“

Art Ukraine

17.12.2015

An empire of plenty in black and white - what an eloquent paradox! In an unnatural, caustic, cold, electric light that seems to burn out both eyes and thoughts, two white, decapitated columns rise up. They huddle in the "crypt-like" hall, decorated with black garlands. more:

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У нас є неписаний закон, що чиновник може взяти витвір мистецтва в тимчасове користування

Громадське Радіо

08.01.2017 12:40

Про те, наскільки системно в Україні зникають витвори мистецтва і потрапляють на продаж чи у приватні колекції, поговоримо з мистецтвознавицею, дослідницею сучасного візуального мистецтв Катериною Рей

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Не ікони і шаровари, а сучасну Україну побачили німці, — кураторка виставки

Громадське Радіо

22.11.2016 14:47

В Німеччині зараз проходить виставка українських художників, мета якої показати трансформації в Україні за роки незалежності, розповідає кураторка виставки Катерина Рай

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Out of the Box Part 1

Small talks about Public Art from Kateryna Ray

"What is Public Art?"

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Out of the. Box Part 2

"Social Transformation through Public Art"

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Out of the Box Part 3

Public Art and Social Spaces

Small Talks abou Public Art with Kateryna Ray

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Out of the Box Part 4

"Public Art and Social Boundary"

Small talks about Public Art with Kateryna Ray

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Pinchuk Art Center "Public Art" lecture from Kateryna Ray 06/09/22
“FUTURE. RESPOSIBILITIES. MUSEUMS. From crisis to future. New responsibilities for museums in Ukraine”

Participation in the workshop

“Beyond Greener Grass”: Berlin

May 29, 2024 in the frame of the great conference

“FUTURE. RESPOSIBILITIES. MUSEUMS. From crisis to future. New responsibilities for museums in Ukraine”

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Transition - Contemporary Art in Ukraine

Universität zu Köln

Kateryna Ray (Kyiv/LWL Münster): Transition - Contemporary Art in

Ukraine

In the frame of the project

“Lecture series “Art/History of Ukraine”

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Navzaem Project Mentor

Mentor in Navzaem project

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„sculptural crossing“ – raumgreifend und doch filigran in der Wahrnehmung

Der riesige Leuchter hatte ursprünglich eine Größe von fünf mal fünf Meter, ein Viertel davon ist in einem völlig neuen Arrangement zu sehen, das aber noch immer an das imperialistische Machtgeschehen der ehemaligen Sowjetunion erinnert. Die einzelnen Teile hatten bereits in Schutt und Asche gelegen, aus denen der Künstler ganz bewusst seine Komposition für Marl herausgesucht hat, um dieses Rohmaterial zu einer eigenen Skulptur zusammenzuführen. Schwer und massiv schwebt das Objekt unter der Decke des Raumes, wird in seiner Form über die hängenden Elemente zunächst filigraner, um anschließend auf dem Boden zu einer neuen Monumentalität zu finden. Die vielteilige Arbeit, die schlanke, kleinteilige Glasobjekte und scharfkantige, verunreinigte Splitter zusammenbringt, wirkt dabei bedrohlich und zerbrechlich zugleich. Eine Videodokumentation ergänzt den Ausstellungsraum...

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Transition time in Public Art. Germany

1 Transit as a way of thinking for artists. Challenges and conditions of the transit time of the Cold War period and the period of perestroika

2 Martha Rosler - the myth of war and the defragmentation of historical memory. Counter-monument in public space.

3 Ilya and Emilia Kabakov - fantasy and futurism as a method of explaining the confusion of transit time

4 Artist Ludger Gerdes - his vision of personal and collective in the processes of forming the socio-political climate of transit time

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Begegnungen in Worpswede

2.11.2016

About Kunst Und Film Biennale collaboration with Ukraine

33 artworks presented in the museums and galleries of Worpswede

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Skulpturemuseum mit Kunst und Politik

MZ20.1.2025

About exhibition of Ukrainian video art in Marl.

"Transformation. Ukrainian history 1990 s- 2000 s in video art"

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Kunst und Politik in der Ukraine

16.01.2025

Im Rahmen der Ausstellung „Transformation. Geschichte der Ukraine in der Videokunst der 1990er-2000er Jahre“ organisiert das Skulpturenmuseum Marl in den Monaten Januar bis März eine begleitende Vortragsreihe, die vertiefende Einblicke in die politischen, sozialen und spirituellen Umbrüche dieser Zeit im Spiegel der Medienkunst ermöglicht.

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Skulpturenmuseum Glaskasten Marl: Kunst und Politik - die Ukraine in den 1990er- und 2000er-Jahren

Siegfried Schönfeld aus Marl

21. Januar 2025, 10:28 Uhr

Im Rahmen der Ausstellung „Transformation. Geschichte der Ukraine in der Videokunst der 199er-2000er Jahre“ organisiert das Skulpturenmuseum Marl in den Monaten Januar bis März eine begleitende Vortragsreihe, die vertiefende Einblicke in die politischen, sozialen und spirituellen Umbrüche dieser Zeit im Spiegel der Medienkunst ermöglicht.

more:

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Marl: Transformation. Geschichte der Ukraine in der Videokunst

WDR 5 Scala - aktuelle Kultur 04.11.2024 08:51 Min. Verfügbar bis 04.11.2025 WDR 5

Die Ausstellung "Transformation. Geschichte der Ukraine in der Videokunst der 1990er – 2000er Jahre." ist vorerst die letzte Ausstellung des Skulpturenmuseums Marl, bevor sie planmäßig ins neue Kulturzentrum Marschall 66 umziehen. Wir sprechen mit dem Leiter Georg Elben.

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Ein vielschichtiger Blick in die Geschichte der Ukraine

KULTUR IM KREIS RECKLINGHAUSEN Samstag, 2. November 2024KULTUR IM KREIS RECKLINGHAUSEN

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Ukraine talks! LWL-Museum für Kunst und Kultur veranstaltet Themenreihe mit ukrainischer Kuratorin
Landesmuseum kauff Kunstwerk aus Kiew